Autumn/Winter 2015-16 Chloe Autumn/Winter 2015-16|September 19, 2015 Clare Waight Keller dedicated her show to International Women’s Day on March 8 and the notes came with a little anonymous self-empowering poem that she’d signed off with. Because if there’s one thing Chloe is all about, it’s embracing and celebrating women, femininity. Today was a kind of greatest hits of the label that laboured its efforts in the Seventies: skinny little scarves tied around the necks of plunging V-neck maxi dresses; wide-lapel peacoats; natty waistcoats and billowing blouses; chemise-y sheer frills on little perky dresses and later those that fell loose and languid. Coats were substantial and solid investments, they always were here. And corduroy and denim got brief, but era-ticking, outings as Fleetwood Mac’s Dreams so easily summed up the mood: romantic, nonchalant, just as the way the Chloe girl is supposed to be. She’s young but sexy, feminine but strong and likes her masculine tailoring just as much as something delicate and pale. In a fashion landscape saturated by the Seventies right now though, it of course didn’t feel new. But that wasn’t really ever going to be the takeaway from this and true Chloe girls – or even just those in search of a good coat or pretty dress – won’t mind in the slightest. “Live life to express, not to impress” – just like the poem said.