Autumn/Winter 2015-16 H&M

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London Fashion Week has Topshop Unique and Paris Fashion Week has H&M Studio: this was the third year the Scandinavian super giant took to the schedule to show off its wares. And don’t underestimate it – it has plans to beam you up next season.

This show we were transported to planet H&M for its own interpretation of the lunar landings – the Grand Palais transformed into a space-age, sci-fi hub – with tinfoil-like pods sitting along the catwalk (out from which later, men appeared and the cocktail party began) and many Barbarella moments to be had.

“We wanted to turn it up a bit this time,” said H&M’s head of design Ann-Sofie Johansson after the show, which saw Caroline de Maigret start proceedings in a silver all-in-one, making her way down the catwalk. Which had us wondering what the clothes that followed would be like.

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“Hard metallics, space shapes, interiors, quilting,” reeled off Johansson of her references, the space-ageness aspect turned down and translated into a functional-meets-sporty collection. Step forward a host of huge quilted bags and jackets; caps with every look; a moonboot-sneaker hybrid; lots of spangly sequins and silhouettes that riffed on the Sixties to Seventies.

“It’s been 50 years since the moon landing, the film Interstellar,” Johansson continued. “It’s about something glamorous and cool, effortless, quite practical – we’re from Sweden!”

She had a great model line-up to assist her fashion orbit: Kendall and Gigi and Edie, while Audrey Tautou and Mark Ronson looked on.

And why still Paris? “It’s still the ultimate fashion city,” she said. “It’s a great challenge and we love a challenge.”

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Autumn/Winter 2015-16 Louis Vuitton

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PARIS Fashion Week might be winding down but the clothes on the catwalk just kept getting better. Three seasons in and Nicolas Ghesquiere is undoubtedly feeling more confident in his Louis Vuitton artistic director role – this a collection that continued to combine that clever blend of savvy, rock ‘n’ roll and retro that so belongs to his girl and bring with it a real sense of him, what he did back in his smash-hit Balenciaga days.

He and Hedi Slimane are both designers that very much cater to that certain breed of “cool girl” and while Slimane sticks to his guns of an “if it ain’t broke, don’t fix it” philosophy, Ghesquiere gave his girl a whole new wardrobe this season. It felt fresh, it felt exciting and there was a lot to love – mental shopping lists were being compiled here, starting with the vanity case bags that so suitably riffed on the luggage heritage of the house, and ending with the retro shaggy coats that had a wonderful passed-down feel about them, the light catching them in such a way that a yellow fleck had a lovely aged quality as though the pieces had once belonged to your very cool mum back in the day.

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In between and it was about cute ribbed knits with peekaboo cut-out décolletage details, their edges gently curling up, one covered in diamante. There were the most perfect leather miniskirts that came with two-inch incisions slicing into them – it was about that level of detail, that all made it dreamy.

Chain belts dangled with silver medallions and the signature Damier Louis Vuitton check was transposed in fuzz on skirt and jacket looks to feel really special. Tailoring throughout was impeccable and that opening series of super shaggy jackets was all about a wonderful enveloping volume, a supersized nod to Margot Tenenbaum perhaps.

Still complete with Ghesquiere’s magic touch, it had moved on – more of him coming through to great and covetable effect.

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