Spring/Summer 2015 Whistles

WHAT better way to cement your reputation as the working woman’s go-to brand than to stage your spring/summer 2015 fashion show in an entrance tunnel to Kings Cross tube station? The novel idea came from Whistles, who in doing so cleverly took their customer off the catwalk and put her into context: on-the-go and always looking good. The tight edit of sleeveless jumpsuits, cutout dresses, tactile knits and statement jackets in a limited colour palette of white, black, peach and the palest of blue all emanated the brand’s progressive-but-pared-back mix and will no doubt fly off the shelves when they hit the shop floor next year. A very stylish commute beckons.

 

 


Spring/Summer 2015 Giorgio Armani

THE money shot at this morning’s Giorgio Armani show was the finale look: a shimmering, shining bejewelled being complete with a bob of beads. She encapsulated the glamour of Armani and the designer’s inspiration this season: the sea, the sand and the landscapes they shape.

He started proceedings with a short film directed by the Oscar-winning Paolo Sorrentino and in it, we saw a mystery couple lying on the beach, hand in hand, with only rope to protect their modesty. Had they come from the deep blue sea? Were they from this world of Armani that Sorrentino was introducing? Were they simply on a nice beach day out?

Regardless, when we did get into that Armani water world, the designer took his theme and ran with it – to create multiple dresses that riffed on jellyfish proportions, shapes and movement. Pronounced short skirts splayed over sheer trousers (still an idea that might need some time to catch on) to perfectly replicate the entity in clothes. Fringes trailed from long skirts to reincarnate fish tails and scales and trousers came with pleats that looked like sand ripples – just as though the tide had come in.

The trousers here were mostly cropped and tapered, jackets languid and loose – a series of white suits were particularly beautiful – and shoes flat throughout. This style note helped to keep the collection feeling fresh and youthful too – those glistening dresses somehow seeming less obvious as obligatory eveningwear.

Armani isn’t the only designer diving deep this season – Philipp Plein made his own splash in Milan last night while back in London Ryan Lo took the plunge in his own irreverent way.

To shop Spring/Summer 2015 Giorgio Armani click below:
 

 


Spring/Summer 2015 Burberry Prorsum

 

CHRISTOPHER BAILEY loves to riff on a topper. In previous seasons he’s reimagined the biker, the aviation jacket, the gritty parka, the trench – of course – and this season, he turned his hand to the indigo denim jacket, that forever young wardrobe staple that’s imbued with good times and optimism.

Serenaded with a live performance by James Bay, Malaika Firth opened the show (fellow Burberry girls, Kate Moss and Cara Delevingne sat front row, alongside Mario Testino) in a fitted wasp-waisted jean jacket with white sheepskin erupting out from under its little peplum.

Varying versions were in never-ending supply. Some were lined in sprouting white ostrich feathers, others were fiercely cropped, another was clad in dusty pink mink, or rendered in grass green suede with a glossy plastic collar and breast pockets. You’ll be spoilt for choice. It wasn’t only those jackets that conveyed a young-at-heart appeal, every luxury house seemingly has a hit sneaker right now and Christopher Bailey debuted Burberry’s all-white style, the “field” sneaker with a bright striped foamy sole.

Under those jackets were tulle dresses as light as candy floss that were whipped around bodies in sensual swathes of bandaged twists or pleats.

The British countryside comes alive in spring and there were nods to that feeling, which arrive with the first signs of summer, rooted in this collection. From those fluffy soft lambswool accents, to that particular shade of grass green, to the oversized butterfly prints and enlarged and abstracted bumble bee motifs and slogans that screamed “insects,” “flower,” and “sun” plastered over trench coats and printed dresses, and yes, all further enhanced by Bay’s The Clocks Go Forward, and the sunlight streaming through the Burberry tent in Hyde Park – as though right on cue.

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Spring/Summer 2015 Giambattista Valli

GIAMBATTISTA VALLI’s client does not have a day life, or if she does he has no interest in clothing her for it in couture. He’s quite a pragmatic guy and he’s probably fine with her wearing a T-shirt and J Brand jeans during the day – possibly with one of his Moncler coats – but at night she’s all his.

His show today was womanly and masterful, sticking in general to the shapes that he favours – a shell top, a swollen-bellied skirt, a full length coat to which he added a high embroidered cummerbund-style waist.

Frills were everywhere, often defining the shoulders and sleeves, and motifs from the natural world were there in many of his gowns – a tree of life jacquard, an iridescent rose print, silk embroidered flowers and embroidered corsets of petals.

It appeared to be less aimed at the nightclub-dancing social butterfly he is often associated with, but then they like him have grown up together.

His sugar almond finales have become a kind of tradition in their feminine grandeur and this one didn’t disappoint.