Spring/Summer 2016 Gucci

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For his second ready-to-wear collection at Gucci, Alessandro Michele (who took over from Frida Giannini at the beginning of this year), presented a wealth of ideas that firmly and strongly built on what he started to show us his intentions were last season.

But where those had a slight softly-softly approach, this time the ideas came with gusto, staunchly setting out to follow up and consolidate what he started and take it somewhere even better. You know this is going to be one very desirable collection and one that will have significant impact on the season ahead.

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It was his blend of geek-chic still but with solid Gucci accessory references and everything was amped up – from colour to decoration, frills and glitter, shine, sequins and embroidery which dazzled down sheer column flounced dresses or climbed and wound round the backs of those sheer pussy-bow blouses he so managed to put on the map for autumn/winter 2015 (he’s the reason you have one, or are soon to, in your wardrobe).

The house’s signature red and green was used to strong effect, as were its GGs that featured on backless shoes – in fact the accessories offering, what with its brooches and pearl-punched shoes, shimmering shades and more – was a magpie’s dream, expensive vintage. Everyone will want a piece of it – once it becomes too hot to wear their fuzzy Gucci slippers from last season, of course (there were a lot of these gracing the front row).

The show notes described a “treasure chest of aesthetic references”, which was entirely apt. It was a continuation of that studious Seventies sensibility, this time overlaid with a disco effect and the beret proves still to be the Gucci girl’s best friend. The Alessandro effect looks set to stay.

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Sequins, Sequins, Sequins!

Heading to a holiday shindigs? Dashing off to a fancy dinner? Finding any excuse to celebrate?

Christmas is here.

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 Sequins bring a festive spark to any outfit. Even the simplest of little black dresses, like those worn by Olivia Palermo and Abigail Breslin, look party-ready when covered in glitter. Just remember to keep the rest of your accessories to a minimum; a pair of pretty pumps and a classic clutch is all you need to shine all night long.

Get this season’s shimmer and shine trend just right and you’ll look oh-so awesome. Get it wrong and, well, you’ll look like Tinkerbell from the local panto. Never has it been so important to master the art of balancing muted clothing with accents of statement-making. Ladies, get your note pads and pens out. It’s time for a trend masterclass.

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The new way to shine goes like this: your outfit needs to be a base of understated, well-tailored pieces and then turn on the fashion charm with one magic accessory, or key-piece that turns heads. An understated LBD will be set alight with a glitterball clutch and dazzling heels. Alternately, a dress that shimmers head-to-toe requires easy-going accessories in complimentary colours. It’s a balancing act between sophistication and sheer devil-may-care dressing.

The main ingredient for success with this trend? Confidence and a glass of Champagne. Sante, sweetie!

Issa London and Rodarte

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Loewe and Altuzarra

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Christopher Kane and Lucas Nascimento

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Michael Kors and Balmain

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Spring/Summer 2015 Pringle of Scotland

Massimo Nicosia wanted to incorporate plenty of Pringle of Scotland’s almost 200-year history into his Spring ’15 collection. He did it in a very contemporary, perhaps even futuristic way, continuing his experiments in 3-D printing, a technique he first employed (to much acclaim) for Fall. This time around, Nicosia created a nylon-powder chain mail. Assembled with panels of woven cotton and silk, it was used for airy, funky tops and a dress. “I wanted to combine the artificial and the natural,” Nicosia said of the 3-D printed looks. However, the high-tech textile wasn’t the designer’s only forward-thinking interpretation of Pringle’s signature knitwear. 

Leather embellishments on a diaphanous white dress mimicked a cardigan stitch—the tactile effect was slick, and it made more than a few of the audience to do a double take during its trip down the runway. Similarly, traditional pullovers were completely reimagined; in one instance, loosely woven threads were trapped inside a mesh casing. In another, fil coupe fragments in watery hues of green and violet were patched onto a roomy organdy jumper.

Water was a primary point of reference for Nicosia this season. Using Ophelia by Sir John Everett Millais and Pablo Picasso’s The Bathers as inspiration, he attempted to translate its lightness, transparency, and reflective properties into fabric. This resulted in a number of sheer silk tops with woven collars and sleeves. A few of them were covered in translucent turquoise triangles that protruded from the chest—they were meant to act as prisms. Elsewhere, silver beads were used sparingly on a honeycomb knit dress to provide just a hint of shimmer. That piece stood out for its serene simplicity.

Returning to Pringle’s heritage, Nicosia played with the idea of lingerie (the house manufactured undergarments back in the day), and turned out hyper-thin silk knit tanks and bodysuits. Pleated and leather-trimmed skirts felt a little stiff and lacked the liquidity of Nicosia’s refreshing dresses and tops, but on the whole, the designer produced an innovative—and versatile—Spring lineup that will appeal to loyal Pringle customers and beyond.

Shop the beautiful and elegant artwork of Pringle of Scotland Spring/Summer 2015 below:
 

 

 

 


Spring/Summer 2015 Francesco Scognamiglio

Francesco Scognamiglio has been through his share of downs and ups lately. Losing a business partner, going it alone in a city notoriously difficult for fledgling independents, finding a new business partner. Tonight he was in the ascendant, with a collection of delicate, just a little bit dirty 1930s-inflected dresses. Long sleeves, bias-cut silk, below-the-knee hemlines, lots of boobies. Scognamiglio has never shied away from the nipple, and they were on proud display here. It’d be nice to see him address modesty-preserving lingerie at some point, but for the moment we’ll let the sheer factor slide. Why? Put simply, there was a lot of prettiness here, from baby-blue silk habotai numbers with almost ineffable lacy white embroideries to slightly more wholesome floral print styles overlaid with more of that exquisite lace. A white silk blouse worn with a stretchy black net skirt embroidered with shiny round silver studs roused the audience to spontaneous applause, a rare sound at this, or any, fashion week.

Best of all were the stretch tulle blouses worn with salopettes that formed a V over the breasts. That’s one way to deal with the see-through issue; they also showcased Scognamiglio’s skills as a tailor. The designer himself was most excited about the white tulle gown that Karmen Pedaru modeled at the end of the show. Appliquéd with lace and embroidered with crystals, it was a taste, he intimated, of a forthcoming couture collection.

To shop more Francesco Scognamiglio visit: www.francescoscognamiglio.com or click below to shop Spring/Summer 2015 Francesco Scognamiglio straight from the catwalk: