Spring/Summer 2016 Marni

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Marni lightened and brightened up the morning for a collection that was laden with Lego colour and eveningwear elegance when it came to layering that twisted and tucked, pinched and folded into place.

It was sportier, and felt like a fresh burst of energy from Consuelo Castiglioni – white, daffodil yellow and the richest of jewel green to incarnate a wardrobe full of wide-leg trousers (a continuation from last season), split tunics and layered dresses and tabard styles. Just as we’ve come to expect and love from the brand, you never quite know where one garment begins and the other ends – here it was a game of dress up with long sleeves splaying out over fingers, sequins jangling beneath asymmetric hems and leaf prints that danced on shoulders in yet more sequins before making a bold impact as print in yellow and green across a mid-length dress. Sculpted graphics did the same and echoed the installation surrounds of the catwalk. That favourite T-shirt-beneath-dress combination factored in a lot here – but upgraded by Marni’s signature complication.IMG_4521

But it’s never just the clothes to contemplate with Marni – you’re looking at those accessories just as much, because they are key in defining and describing the Marni woman. They are so often the dot on the “i” and the cross on the “t”, as it were. Those same leaves hung from lobes in gold, wrists were weighted down by angular bangles and bags were long, width-wise, in metallic and scrunched like a sandwich bag or came as luxe shoppers. And the way to wear your hair is in minimalist bunchies.

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Spring/Summer 2015 Versus Versace

IMG_8593 IMG_8600Some things are made to go together; gin and tonic, strawberries and cream, salt and vinegar, say, so too Anthony Vaccarello and Versace. He – the master of the slit and slashed minidress and pioneer of all-out sex appeal often delivered on leggy best friend, Anja Rubik; and Versus, the sidekick of Versace, the Italian house that practically invented sex – are a match made in heaven.

Half of the battle of a house producing a winning collection is in the hiring of a designer who just “gets it” and the hiring of the Belgian (of Italian descent) here is not much short of genius. Bravo to whoever cooked up that contract. One can only imagine the fun Vaccarello must have had mining the archives. It must have felt like all his birthdays and Christmases had come at once. Gold! Medusa heads! Bondage strapping! Safety pin dresses! Yes! Yes! Yes! Yes!

All of that was whipped up tonight (even, including BFF Rubik). There were so many brilliant looks here today and here’s the crux of it, and really, where others before him have perhaps failed; he kept it simple. Firstly, it was almost all black with gold accents, well, why over-complicate matters when that will do just nicely? It wasn’t all thigh skimming miniskirts, there were some great low-slung tailored trousers partnered up with bondage-backed bodysuits boasting gold chokers as halter necks, as delicate as fine jewellery, and elsewhere, unbuttoned black silk shirts (sometimes, combining the two into a fierce jumpsuit). He rendered the medusa head into super desirable belts, and re-proposed the safety pin dress into a neat proposition for now.

And even better news: it’s all available to buy online now. One question, what are you still doing reading this?

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