Autumn/Winter 2015-16 Emilio Pucci

IMG_5081 IMG_8788

And so to Peter Dundas and his final collection for Pucci. Since his appointment at the house in 2008, Dundas has energized the brand into a blazing, hyper-coloured fanfare of mega watt clothes for mega watt lifestyles. His unapologetic sense of glamour pitched at leggy starlets – many of them walking here this evening, from Eva Herzigova to his poster girls, Anja Rubik and Natasha Poly – has enlivened the scene no end.

This season, it was astrology and the powers the signs behold that triggered his creativity in what he called the Zodiac collection. Symbols for Aries, Libra, Sagittarius and Scorpio were embroidered in gold and scattered over velvet blazers, dramatic capes and hot pants. For his opening looks, he reprised Emilio Pucci’s black and white prints from the late Fifties and rendered them in swirling patterns created with monochrome micro sequins – with embroidered thigh high boots to match, naturally. Intarsia fox furs, flared trousers in crushed velvet, even, a pearl-fringed flapper dress was thrown into the hedonistic mix – it was everything that we’ve come to expect of a Pucci collection under Dundas’s direction – and then some.

He took his bow surrounded by his design team who emerged from backstage to warmly applaud him. Perhaps he won’t disappear from horizons for long: when it comes to what’s written in his own stars, if the rumors play into his horoscope he’s headed to Roberto Cavalli – which, sounds a lot like the very definition of the stars aligning.

IMG_8799 IMG_8801


Spring/Summer 2015 Versus Versace

IMG_8593 IMG_8600Some things are made to go together; gin and tonic, strawberries and cream, salt and vinegar, say, so too Anthony Vaccarello and Versace. He – the master of the slit and slashed minidress and pioneer of all-out sex appeal often delivered on leggy best friend, Anja Rubik; and Versus, the sidekick of Versace, the Italian house that practically invented sex – are a match made in heaven.

Half of the battle of a house producing a winning collection is in the hiring of a designer who just “gets it” and the hiring of the Belgian (of Italian descent) here is not much short of genius. Bravo to whoever cooked up that contract. One can only imagine the fun Vaccarello must have had mining the archives. It must have felt like all his birthdays and Christmases had come at once. Gold! Medusa heads! Bondage strapping! Safety pin dresses! Yes! Yes! Yes! Yes!

All of that was whipped up tonight (even, including BFF Rubik). There were so many brilliant looks here today and here’s the crux of it, and really, where others before him have perhaps failed; he kept it simple. Firstly, it was almost all black with gold accents, well, why over-complicate matters when that will do just nicely? It wasn’t all thigh skimming miniskirts, there were some great low-slung tailored trousers partnered up with bondage-backed bodysuits boasting gold chokers as halter necks, as delicate as fine jewellery, and elsewhere, unbuttoned black silk shirts (sometimes, combining the two into a fierce jumpsuit). He rendered the medusa head into super desirable belts, and re-proposed the safety pin dress into a neat proposition for now.

And even better news: it’s all available to buy online now. One question, what are you still doing reading this?

IMG_8608 IMG_8591

 


Spring/Summer 2015 Giorgio Armani

THE money shot at this morning’s Giorgio Armani show was the finale look: a shimmering, shining bejewelled being complete with a bob of beads. She encapsulated the glamour of Armani and the designer’s inspiration this season: the sea, the sand and the landscapes they shape.

He started proceedings with a short film directed by the Oscar-winning Paolo Sorrentino and in it, we saw a mystery couple lying on the beach, hand in hand, with only rope to protect their modesty. Had they come from the deep blue sea? Were they from this world of Armani that Sorrentino was introducing? Were they simply on a nice beach day out?

Regardless, when we did get into that Armani water world, the designer took his theme and ran with it – to create multiple dresses that riffed on jellyfish proportions, shapes and movement. Pronounced short skirts splayed over sheer trousers (still an idea that might need some time to catch on) to perfectly replicate the entity in clothes. Fringes trailed from long skirts to reincarnate fish tails and scales and trousers came with pleats that looked like sand ripples – just as though the tide had come in.

The trousers here were mostly cropped and tapered, jackets languid and loose – a series of white suits were particularly beautiful – and shoes flat throughout. This style note helped to keep the collection feeling fresh and youthful too – those glistening dresses somehow seeming less obvious as obligatory eveningwear.

Armani isn’t the only designer diving deep this season – Philipp Plein made his own splash in Milan last night while back in London Ryan Lo took the plunge in his own irreverent way.

To shop Spring/Summer 2015 Giorgio Armani click below:
 

 


Spring/Summer 2015 Emilio Pucci

THAT Seventies Show – is fast becoming the way to sum up Milan Fashion Week, from Gucci to Prada and onto Emilio Pucci.

“It’s always resonated with me. I think it’s a reaction,” said Pucci creative director Peter Dundas backstage by way of explanation. “I really wanted to do it last time so just thought I’m just going to do it.” Fair enough.

Whether the fashion forces of Milan got together to conspire in favour of the era or not, it’s on next summer’s agenda for sure – but it just depends on what kind of Seventies spirit you are.

“It’s my girls,” said Dundas, referring to Poppy Delevingne who was bejewelled and Pucci-fied out front. What he meant was that bohemian and carefree spirit – but situated in a contemporary context.

And this was very much a happy-hippy collection: plunge-neck crochet dresses embroidered with flowers, be-tasselled ponchos of the same effect, wispy butterfly-billowing maxi dresses, psychedelic shades and prints of Zap ice lolly optics, waistcoats, skinny suits, flares – tick, tick, tick for the Seventies. There were even those orange and brown colour clashes.

Halter necks, empire lines, gypsy tops and gilets – the repertoire continued as a mash-up of Fleetwood Mac played out – and then Naomi Campbell took a turn on the catwalk.

With all its colour and exotic psychedelic prints, Pucci is a brand that sits well in the Seventies – and will do in the second wave of the Noughties with so many trend boxes ticked this season.

Click below and shop the vibrant collection of Spring/Summer 2015 Emilio Pucci: