IT was a paper jungle in the round for Karl Lagerfeld’s couture offering, opened by Chanel gardeners with their waterless cans in khaki and a straw version of the hats he had embellished with tulle for the show.
The clothes were light in an extraordinary medley of fabrics that only Chanel is capable of creating – thousand-colour boucle and crystal flowered epaulettes. The block-colour wool suits that opened the show came with A-line skirts and long jackets but were swiftly replaced by the introduction of a new line – narrow and falling from the hip with a thin fabric belt looped through and hanging loose. Rooted in the flat leather boots, this silhouette looked fresh, often paired with midriff-baring tops.
Flowers were everywhere, from the hems and shoulder to the arm warmers of tulle and the hair decorations of transparent plastic hanging from the low plait Sam McKnight had given each girl.
You couldn’t help but think Karl had possibly been inspired by Cara Delevingne’s style with the wool beanies flecked with ostrich feathers that looked great with the evening wear. It was an optimistic light show that gave Chanel a youthful vitality without losing its elegance.
To shop more Chanel visit: www.chanel.com or click below to shop the latest Spring/Summer 2015 Chanel couture look:
For those of you who don’t know: JOSEPH modernised women. As the sixties drew to a close, Casablanca-born hairdresser Joseph Ettedgui looked out from his salon, a chic King’s Road focal point, and imagined a revolution in the way we buy fashion. With his keen instincts, Joseph created a boutique that was more magazine than clothes shop – somewhere to discover new ideas, new styles and new designers.
Joseph brought Kenzo and Castelbajac to the world’s attention, then as his influence grew he championed Azzedine Alaia and Yohji Yamamoto, chose Norman Foster to design a store, and was the first in London to sell Prada. Even after his own eponymous label was launched to acclaim, Joseph continued to showcase the designers he had discovered and nurtured.
Just as its original stores were places to meet and share ideas, attracting designers, models, editors and photographers, JOSEPH is once again a focus for creativity, somewhere to find inspiration.
At the same time the JOSEPH collection has entered a new phase, drawing renewed strength from the energy around it. Under the creative direction of Louise Trotter, Joseph presents a high contemporary ready-to-wear collection with a strong core of luxury essentials.
On my first day of interning there is always the worry of what on earth do I wear?! For my first day I decided it was better to be over dressed then underdressed seeing as I really had no idea what I was going to be doing. I chose J-brand black trousers, a cute and smart silk top from Whistles and little heel boots from Top-shop. Easy.
The showroom transformed from this:
My role was Showroom Assistant / Wholesale assistant. In this position I was:
Merchandising and remerchandising the new season collections and essentials
Assisting sellers and buys around the showroom
Front of house showroom assistant: meeting clients, keeping rails in order of looks and collections and maintaining the high standards of the showroom by keeping everything neat and tidy.
Dressing models and maintaining the process and consistency of having each of the looks shown to clients in the correct format.
Of course the clothes and looks were absolutely beautiful. Everything I loved and wish I had. Working with Joseph was truly an amazing experience and has taught me so much more about the way that wholesale and buyers work within the fashion industry as well as an insight into Paris Fashion Week.
FOLLOWING on from their couture collection, which channelled the Pre-Raphaelites, Maria Grazia Chiuri and Pierpaolo Piccioli presented a collection that took its cue from the 18th century tradition of the Grand Tour, a trip taken by young Europeans to explore the art, culture and traditions of Italy. Rome and all-out classicism, views, ruins, and souvenirs were all tapped, even, right down to a soundtrack that felt like a tourist board melody and a palette that in parts looked to be informed by Neopolitan ice-cream – a fluttery sheer silk dress floated its way around the body in vanilla, strawberry and chocolate stripes.
It was romantic, artisanal and all out beautiful – from the simplicity of those double linen coats and backless pinafores, to the overwhelming intricacies of their eveningwear (as usual, it was one look more breathtaking than the next). Gowns were embroidered in wispy gold starfish, or watery seascapes, elsewhere, they came heavily encrusted with feathers, bugle beads and embroideries and shuffled barely an inch off the floor (a Valentino hemline is a thing of absolute precision and perfection).
What is perhaps even more remarkable than all that finery, and that extreme level of craftsmanship – which it’s no exaggeration to say is comparable to couture – is that these clothes are imbued with such a sunny youthfulness, everything is apparently so effortless to wear. Those scarf print silk jumpsuits and devastatingly pretty white eyelet lace dresses and skirts are the sort of summer pieces one could happily slip into in five seconds flat – and go anywhere.
It was all anchored with flat knee-high gladiator sandals – ideal for exploring the ruins, perhaps – some boasted dangling charms that looked like they had been picked up while browsing bazaars. Half-up, half-down hair was intertwined with precious gold marine trinkets such as seashells and starfish. Spectacular.
To shop more visit www.valentino.com or click below to shop the Spring/Summer 2015 Valentino look:
AN Oscar de la Renta fashion show, perhaps more than any other, is one where show-goers are transported into a parallel universe. It’s quiet, away from the smog and heat and hustle and bustle. There’s no pushing and shoving – this is a world of refined elegance and decorum and it’s a real treat to visit. Sometimes, that can all add up to something terribly grown up but this season, the 82-year old designer presented a collection that was fresh, youthful and utterly gorgeous.
Yes, those fabrics were opulent; his jumbo broderie anglaise looked like the finest in the world, but silhouettes were whipped up into something pretty and young. There were even midriffs bared between buoyant skirts and cropped A-line tops, while his florals were all sweetness and light. Gingham is a trend to note – it’s now popped up on numerous occasions throughout the week – here, it arrived in baby pink and blue.
Stuffed toy elephants were perched on everyone’s seat, they were gifts from the Clinton Foundation to raise awareness of poachers. They were cute, and further proof – as if it were needed – that Oscar de la Renta knows the way to a woman’s heart.
To Shop more Oscar de la Renta visit: www.oscardelarenta.com or click below to shop Spring/Summer 2015 Oscar de la Renta collection and more: